Archival inventory of the journalistic career of Tom Curtis.

Multiple accessions from music writer, John T Davis include a wide expanse of Davis’s articles from 1980-2010, including articles from Davis’s music column in the Austin-American Statesman and extensive subject files. Also present are numerous files from SXSW and ACL, as well as manuscript drafts and other materials relating to Davis's book, Austin City Limits: 25 Years of Music.

Seven folders of works, published materials, photographs, correspondence, cards, and programs highlight the work of A.C. Greene.

The Larry L. King papers document his writing career and span the years from 1929 to 1993 with most of the material dating from the late 1950s.

Archival material relating to the life, writing career, and death of Rolling Stone and Texas Monthly journalist, Grover Lewis’ dating 1962-2015.

The papers of journalist Grover Lewis span the years 1955 to 2005 and are arranged into seven series: Personal Papers, Correspondence, Published Works, Unpublished Works, Works by Others, Audio Tapes, and Oversized Items

The Jay Milner papers cover 1960-1994 and consist of newspaper clippings of columns and reviews written by Milner, personal correspondence, photographs, and print materials. Series include I. Works (1960-1994,) II. Correspondence (1960-1993,) III. Photographs (undated) and Printed Materials (1970-1977).

Typescripts, correspondence, clippings, photographs, sound recordings, printed material, handwritten notes, ephemera, and artifacts, 1929 to 1998 (bulk 1975-1995), created and maintained by Joe Nick Patoski, document much of his writing career, as well as some aspects of his business and personal life.

Working drafts, photographs, and correspondence make up the papers of journalist and novelist Jan Reid. The collection is arranged into the following three series: Books(1974-1986), Articles and Stories (1975-1994, undated), and Correspondence (1976-1993, undated)

Materials documenting the literary career of Carlton Stowers.

Correspondence, printed material, financial documentation, interviews, photographic material, legal documentation, notes, creative works, audio and video recordings, and machine-readable records, created and maintained by Bill Crawford and Joe Nick Patoski, document the research, production, and promotion processes of their co-authored biography, Stevie-Ray Vaughan: Caught in the Crossfire.